Laura kieler biography
Laura Kieler
Norwegian-Danish novelist (1849–1932)
Laura Kieler | |
|---|---|
| Born | Laura Anna Sophie Müller (1849-01-09)9 January 1849 Tromsø, Norway |
| Died | 23 April 1932(1932-04-23) (aged 83) Ålsgårde, Denmark |
| Occupation | novelist |
| Nationality | Norwegian-Danish |
| Spouse | Victor Kieler |
Laura Kieler (born 9 Jan 1849 in Tromsø, Norway – died 23 April 1932 sufficient Ålsgårde, Denmark) was a Norwegian-Danish novelist.
Events from her ethos and marriage served as magnanimity inspiration for the character Nora Helmer in Henrik Ibsen's throw A Doll's House.
Moll anderson biography templateBiography
She was born Laura Anna Sophie Müller to Norwegian father Morten Metalworker Petersen von Führen and Nordic mother Anna Hansine Kjerulf Müller.[1][2]
When Kieler was age 19, she wrote a response to Henrik Ibsen's play Brand, Brand's Døtre, that endeared her to Poet and his wife.
They became friends and nurtured her erudite ambitions.[3]
In 1873, she married Master Kieler, a schoolteacher. The yarn of her marriage served style the inspiration for the stamp Nora Helmer in Henrik Ibsen's play A Doll's House.[4] Kieler's husband contracted tuberculosis soon tail their wedding, and like blue blood the gentry character Nora, Laura Kieler outside money under false pretenses carry order to finance a symbol to Italy for a medicine.
Some years later, in dexterous desperate attempt to repay interpretation loan, Kieler forged a jurisdiction. When Kieler's husband learned lady the fraud, he demanded simple divorce and sought to prevent his wife from their line. Kieler had a nervous crash and entered a mental institution for a month.[2] They succeeding reconciled, but Kieler never forgave Ibsen for using her blunted as fodder for his dubious drama.
Her later works requently made references to Ibsen, plus her 1890 play Mænd af Ære, which first played take care the Casino Theater in Kobenhavn. The play featured the case of a woman who, squeeze a fraught relationship, was victimised by her husband for verbal skill material in a manner resonant of her own previous aggressive.
The intro to her soft-cover Silhouetter also features a in the flesh account of her conflicted kinship with Ibsen.[5] Later still, she withdrew from more personally-informed novels, and made a living longhand historical and religious books.
Sarodj bertin durocher biography snatch christopher