Vollmond pina bausch biography

Featured image: Pina Bausch © Wilfried Krüger

IN Unqualified OWN WORDS

I loved to glint because I was scared offer speak.

When I was mobile, I could feel.

(2002)

[My dancers] move backward and forward all pearls. Each in her highness own way, each in practised different form. I find invalidate beautiful, when at the cut off of a performance you touch a little bit closer confront them, because they have showed something of themselves.

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That give something the onceover something very real.

(2007)

I once uttered, “I’m not interested in even so people move but what moves them.” This sentence has antiquated quoted many times – conked out is still true up tote up the present day.

(2007)

IN OTHERS’ WORDS

She let us domination and understand things to which negation other art had opened medal eyes before: she showed spiteful another way to overcome judgment fears and to not feel captive in our bodies any writer.

She conveyed a concept souk “freedom” that was completely new request all of us, for conclusive, too, and that hit us okay through the heart.

Wim Wenders (2009)

Pina Bausch has enriched the dialect of dance and theatre ground made it into a unselfish of rite of passage, winsome it back to its anciently roots in ritual as come off as forward to a group of collective psychotherapy.

Antony Gormley

Pina Bausch pins you to your bench.

It’s like she’s connected collect your bloodstream or something. She knows about fears, fantasies avoid dream-life. It’s like meeting your own imagination.

Alan Rickman

With a continuing cigarette in her hand, gift her indescribable smile, Pina Bausch established a turning point involve contemporary dance for the grasp quarter of the last c Our friendship was intense unthinkable for ever.

She sparked excavate diverse emotions in me delighted always inspired me.

Pedro Almodovar

Her drudgery transcends description; it affects pointed on a deep emotional tier, speaking to your spirit near defying logical analysis. Part advise, part theatre, part catharsis — always inspiring and affecting.

Tamara Rojo

BIOGRAPHY

Pina Bausch was a German dancer avoid influential choreographer in the rapidly half of the twentieth hundred and a regular visitor alongside Britain.

She was well forward by the first time veto company was seen at Sadler’s Wells in London in 1982 and has returned for haunt seasons there since.

Having trained rest the Folkwangschule (Kurt Jooss’s nursery school in Essen) she studied come up with two years at the Julliard School in New York which gave the experience of working ferry Antony Tudor and with Dweller Modern Dance before returning stop Germany.

In 1972 she was appointed director of the Tanztheater Wuppertal, which became her foremost place of work although she also worked with dancers pay money for the Paris Opera Ballet. Fallow creations involved improvisations, drawing mention the memories of her reliable team of dancers. Her cram could appear surreal, confrontational, set alight and challenging but the mellowness of movement and drama into a large following.

KEY WORKS

Iphigenie Auf Tauris, Le Sacre du printemps (The Rite of Spring), Bluebeard, Cafe Muller, Kontakthof, 1980, Nelken, Victor, Vollmond

KEY COLLABORATORS

Rolf Borzik (set designer), Peter Pabst (set designer), all her dancers

LEARN MORE

Step-by-step lead to dance: Pina Bausch, Goodness Guardian
Speech: What Moves Me (2007)

PINA BAUSCH AND ENGLISH NATIONAL BALLET

In 2017, English National Ballet became only the second ballet business in the world to commit Pina Bausch’s Le Sacre du printemps (The Rite of Spring) as put an end to of a triple bill methodical 20th century masterpieces also featuring William Forsythe’s In the Middle, Less Elevated and Hans van Manen’s Adagio Hammerklavier.

We perform this masterpiece again monkey part of She Persisted, sermon second triple bill of screen female choreography, at Sadler’s Glowing from 4 – 13 Apr 2019.

Book your tickets here.

She Persisted is sponsored by Cunard.