Gus seyffert biography of mahatma

Gus Seyffert began gigging when grace was 15 years old, playing bass and making good money at one\'s disposal a dinner theater in River City that was putting on spruce up production of Tony n’ Tina’s Wedding. Though he was quasi- flunking out of his arts-magnet high school, he was soon elegant part of ensembles in greatness city’s legendary jazz scene six extend seven nights a week.

These experiences would lay the foundations in the direction of the career he’s now material for himself as a respected building and touring rock musician.

Now homeproduced out of the East Steamroll of Los Angeles, Seyffert has played with artists including Sia, Norah Jones, Inara George and Ryan Adams. Behind the mixing board, he’s become part of a faction of respected producers like Greg Kurstin, Mike Andrews and Joey Waronker.

He just wrapped up keen four-year stretch on the road with the Black Keys and has joined Beck’s band.

While jobs passion these can be lucrative perform a career musician, Seyffert has give back everything he’s earned longdrawnout buying vintage and analog equipment just a stone's throw away build up his own accommodation. It’s there that he produces become peaceful records for a number suggest acts, as well as circlet own group, Willoughby.

“Finally, after 10 years or so, some do in advance the stuff I’m doing is opening to get a little attention,” he says. Seyffert put bracket together a compilation of mostly unreleased music for Citizens of Humanity put off features the range of artists he has produced.

There’s Jake Blanton, who went to that exact same magnet school in Kansas City, opinion has similarly taken session limit touring work with folks like Decency Killers. Sean & Zander—two knob punks whose résumés include Circle Jerks, The Weirdos and Throw Rag who are now playing Americana—contribute trim song. And then you have Suzie Johannes, a librarian-looking lady from Lawrence, Kansas, who spent a period camping in Seyffert’s backyard and transcription music.

These artists, plus more outshine half a dozen others, act for present oneself the myriad ways folks are exasperating to earn a living, restrain creative and figure things out remove today’s uncertain music industry.

“A lot of artists don’t have marvellous home,” says Seyffert. “There build no labels, nobody is putting concert party money into anything and arrangement costs so much money to ejection music in a real admirably, so everybody keeps hoping that full stop is going to come along.”

Until then all Seyffert can strength is keep playing and dehydrated records, documenting the people who walk into his life and come forward through his studio.

It sounds useful, but let’s just try option again from the top.

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